THE SCHOOL FOR SCANDAL -Richard Brinsley Sheridan

 THE SCHOOL FOR SCANDAL

                                                                                    -Richard Brinsley Sheridan 

Introduction: 

            Richard Brinsley Butler Sheridan was an Irish satirist, a politician, a playwright, poet, and long-term owner of the London Theatre Royal, Drury Lane. He is known for his plays such as The Rivals, The School for Scandal, The Duenna and A Trip to Scarborough. WikipediaBorn into Literary Family Sheridan was born in October of 1751 in Dublin, Ireland, the son of a prominent actor and a noted author. His mother, Frances Chamberlaine Sheridan, wrote one fairly successful play and one respected novel. She died while he was an adolescent. His father, Thomas Sheridan, was a playwright, actor, theater manager, orator, and also a scholar of English elocution who published a dictionary. The First Success as Playwright Success for Sheridan began with The Rivals in (1775). Initially, the performance of the play failed because of miscasting and the play's excessive length. Undaunted by the poor reception, Sheridan recast several roles, abbreviated sections of the play, and reopened it ten days later to a unanimously positive response. The success of The Rivals derived from the use of one of comedy's oldest devices the satirizing of manner.

 “Poor Sherry was motivated by overwhelming vanity and self-interest. That is why he entered the theater and why he left the theater to enter politics. A poor Irish actor’s son, he always wanted to hobnob with the rich and powerful, to be part of le beau monde, whose attitudes he reflects in his plays. There was something calculating, something insincere and insubstantial, about the fellow. Same thing about his plays.” - The Prince of Wales 

Writing Style of Sheridan:

            His most popular comedies, display his talent for sparkling dialogue and farce. Like other writers of the genre, Sheridan satirized society, though his dramas reflect gentle morality and sentimentality. To produce “laughing comedy,” Sheridan returned to the witty, satiric comedy of manners of the Restoration, but without the Restoration cynicism and sexual license. Whereas the Restoration offered refinement and style as a substitute for goodness, Sheridan still believed in its possibilities.  His famous works are

  “The Rivals”( 1775)

  “The School for Scandal” (1771) 

 “The Critic” (1779)

  “The Camp”(1774)

 Title- Justification: 

The title relates to the popularity of malicious scandal and gossip in 18th-century London's upper-class salons. These salons were highly cultured and insular environments in which wit and complex mannerisms were learned as if taught in a school. Richard Brinsley Sheridan's The School for Scandal fits into this trend by satirizing the scandals, affairs, and greediness of Britain's upper class and suggesting political action that could preserve reputations from slanderous gossip.

 Themes of the play: 

Concealment and Exposure.

  The School for Scandal explores how people hide and are exposed, both literally and figuratively 

 Rumors, Wit, and Cruelty 

 The Man of Sentiment 

 Family Honor and Money 

The Cunning plan of Sneerwell and Joseph: 

The School for Scandal begins in the dressing room of Lady Sneerwell, a wealthy widow with a penchant for plotting and spreading rumors. Lady Sneerwell has hired Snake to forge letters for her and place false stories in the gossip columns. They discuss her plot to stop Charles Surface, whom she loves, from becoming engaged to the heiress Maria. Lady Sneerwell is conspiring with Charles’s older brother Joseph, who has a reputation for goodness, but is really a selfish hypocrite and liar, and who wants to marry Maria for her money. Snake departs and a group of gossipmongers, including Joseph, Mrs. Candour, Sir Benjamin Backbite, and Mr. Crabtree congregate at Lady Sneerwell’s house. Maria is also there, but she rushes from the room in distress when the others gossip about Charles’s enormous debts and financial misfortunes. Joseph being as a part of sneerwel’s cunning plan, because of the admiration he had towards Maria. 

Marriage life of Sir Peter Teazle:

Peter has lived all his life as a bachelor, but seven months ago married a much younger woman. He and Lady Teazle fight all the time and Sir Peter is sure his wife is always to blame. He complains of the bad influence that Lady Sneerwell has on his wife. He is also upset because Maria, who is his ward, does not want to marry Joseph. Sir Peter, who served for some time as a guardian to the Surface brothers, is convinced that Joseph is an exemplary young man with strong morals, and he believes that Charles is not only badly behaved, but also bad deep down. Rowley disagrees: he thinks Charles is wild, but will grow up into a good man. Rowley delivers the news that Sir Peter’s old friend Sir Oliver Surface has arrived back in England after sixteen years in the East Indies. Quarrel between the Teazles in their home. Lady Teazle wants large sums of money to buy luxury goods. Sir Peter reminds her that she grew up simply and lived with none of the things she now says she needs. Lady Teazle says she remembers that boring life well. After his wife leaves, Sir Peter marvels at how attractive she is when she argues with him. 

Reason for Sir Oliver disguised himself as Mr. Premium:

 Rowley brings Sir Oliver to see Sir Peter’s house. They rejoice at being reunited, and Sir Peter gives Sir Oliver his impressions of the Joseph and Charles who are his nephews and potential heirs. Sir Oliver thinks that the description of Joseph that Sir Peter gives is too good to be true. Sir Oliver hatches a plot to test his nephew’s characters and choose an heir. When Sir Oliver left the country Charles and Joseph were too young to now remember what he looks like, and Sir Oliver plans to use this fact to test them. He plans to go to Charles disguised as a moneylender named “Mr. Premium,” to see how extravagant Charles really is. To test Joseph’s alleged morality, he plans to visit his older nephew in the guise of a poor relative who needs charity named “Mr. Stanley.”

Mr. Premium choosing the heir for Inheritance: 

Sir Oliver, pretending to be Mr. Premium, arrives with Moses at Charles’s house, where Charles is drinking and playing cards with friends. Charles appeals to Mr. Premium for money, explaining that although he has sold off all his property, he expects to be the heir of the fabulously wealthy Sir Oliver. Charles suggests that Mr. Premium can collect the debt when Sir Oliver dies. Mr. Premium presses Charles for other collateral, and Charles suggests that he can sell him the family portraits. Inwardly, Sir Oliver is shocked at the disrespect this shows to family tradition, but he bids for the portraits in an auction. As the auction nears its end, Sir Oliver asks if Charles will sell him a specific portrait. Charles refuses, saying that it is the portrait of his generous benefactor Sir Oliver. Touched, Sir Oliver inwardly forgives Charles for being so extravagant.

 Lady Teazle admiration towards Joseph:

In the next scene, Lady Teazle arrives late for a date with Joseph at his house. She complains about her fights with Sir Peter, but is still unsure whether she wants to commit adultery with Joseph. Sir Peter arrives and, terrified of being discovered, Lady Teazle hides behind a screen in Joseph’s room as Sir Peter makes his way up the stairs. Sir Peter confides in Joseph that he is worried his wife is having an affair with Charles, but that he plans to soon give her financial independence from him, which he hopes will ease their fights. Sir Peter begins to talk to Joseph about his desire to marry Maria, but Joseph tries to stop him, not wanting Lady Teazle to learn that he is courting Maria too. At that moment, Charles arrives.

Sir Peter says he will eavesdrop on the brothers to discover the truth about Charles and his wife. Sir Peter tries to hide behind the screen, but Joseph stops him, explaining that he already has a lover hiding there. Sir Peter hides in a closet instead. Charles enters and Joseph asks him about Lady Teazle. Charles denies any involvement with Lady Teazle and begins to say that he believed Joseph and Lady Teazle were the ones having the affair. Joseph stops Charles by telling him Sir Peter is listening. Sir Peter comes out and tells Charles he is very relieved. Joseph leaves the room for a moment and Sir Peter tells Charles that his brother has a woman hidden in the room.

“As Joseph returns to the room, the screen is pulled down to reveal Lady Teazle. Although Joseph tries to explain Lady Teazle’s presence there, Lady Teazle tells her husband the truth: she was considering having an affair with Joseph, who she now understands is a liar and hypocrite. She says that, even if she had not been discovered, she would have changed her treatment of Sir Peter after hearing how kindly he spoke about her.” 

Sir Oliver’s decision about the Inheritance: 

Soon after the Teazles leave, Joseph is visited by Sir Oliver, who pretends to be a poor relative named Mr. Stanley. Joseph speaks politely and eloquently about charity, but he tells Mr. Stanley that he has no money to give and that the rumors that his uncle sends him large sums of money are false. Under his breath, Sir Oliver says that Charles will be his heir. After Sir Oliver leaves, Rowley arrives to tell Joseph that his uncle has returned from the Indies and that he will bring him to Joseph’s house soon to see him. Joseph curses the bad timing of his uncle’s arrival.

Sir Peter Reconcile his Lady:

At Sir Peter’s house, the gossipmongers have gathered to try to find out what really happened between the Teazles. The servant refuses them entry so they stand in an anteroom arguing about what the real story is. Some believe that Sir Peter caught Lady Teazle with Charles, while others allege that it was Joseph. They also report that Sir Peter was wounded in a duel fought with the wife-stealing Surface brother, but there is no consensus about whether swords or pistols were used in the fight. Sir Peter then walks in unharmed and shouts for the ridiculous gossips to leave his house. Rowley and Sir Oliver arrive to tell Sir Peter to come to Joseph’s house for the meeting between the Surface brothers and Sir Oliver. Rowley pleads Lady Teazle’s case, saying that he spoke to her and she feels terrible for the pain and embarrassment she caused him. Upon Rowley’s urging, Sir Peter decides to reconcile with Lady Teazle.

Engagement between Charles and Maria:

At Joseph’s house, Lady Sneerwell complains that Joseph ruined her chance to disrupt Charles and Maria’s engagement by getting caught pursuing Lady Teazle. Joseph tells Lady Sneerwell she may still have a chance with Charles because Snake has forged letters that suggest Charles has pledged to marry Lady Sneerwell, which should also ruin Charles’s chances with Maria. Sir Oliver and Charles arrive, and Lady Sneerwell hides in the next room. The brothers wish to make a good impression on Sir Oliver and try to force the man they believe to be Mr. Premium or Mr. Stanley from the room, fearing what he will say to their uncle about their behavior.

Charles became as a heir of Inheritance:

Sir Peter, Lady Teazle, Rowley, and Maria arrive, and the Teazles reveal to the Surface brothers that the man they are throwing out of the house is their Uncle Oliver. Joseph tries to make excuses for his behavior, but Charles only apologizes for having disrespected the family by selling the portraits. Sir Oliver tells Charles he forgives him everything and Joseph that he sees through his hypocrisy. Lady Teazle suggests that Charles may also be interested in gaining Maria’s forgiveness, but Maria says that she knows he is already engaged to another. Charles is dumbfounded.

“Lady Sneerwell emerges from hiding to claim that Charles is engaged to her, but Rowley summons Snake, who reveals that he was paid to forge letters for Lady Sneerwell, but paid double to reveal the truth to Rowley. Lady Sneerwell storms from the room in frustration and Joseph follows. The play ends with an engagement between Maria and Charles, who will be his uncle’s sole heir.” 

Conclusion: 

Thus, key theme of society reflected in 'A School for Scandal' is of gossiping between women. This concept epitomises the core of the play, and questions why people, women in particular, require gossip in their daily lives. The title relates to the popularity of malicious scandal and gossip in 18th-century London's upper-class salons. These salons were highly cultured and insular environments in which wit and complex mannerism.