MILTON’S POETRY AND PROSE

 

MILTON’S POETRY AND PROSE

Early Years

John Milton was born in London on December 9, 1608. His parents were John Milton, Sr. and Sarah Jeffery, who lived in a prosperous neighborhood of merchants. John Milton, Sr. was a successful scrivener or copyist who also dabbled in real estate and was noted as a composer of liturgical church music. The Miltons were prosperous enough that eventually they owned a second house in the country.

Milton seems to have had a happy childhood. He spoke of his mother's "esteem, and the alms she bestowed." Of his father, Milton said that he "destined me from a child to the pursuits of Literature, . . . and had me daily instructed in the grammar school, and by other masters at home." Though the senior Milton came from a Catholic family, he was a Puritan himself. Milton's religion, therefore, was an outgrowth of family life and not something he chose at a later period in his maturity.

Education

Sometime, as early as age seven but perhaps later, Milton became a student at St. Paul's school, which was attached to the great cathedral of the same name. St. Paul's was a prestigious English public school — what would be called a "private school" in the U.S. Milton spent eight years as a "Pigeon at Paules," as the students were known, and came out a rather advanced scholar. He had studied the Trivium of Grammar, Rhetoric, and Logic and had probably been exposed to the Quadrivium of Mathematics, Geometry, Astronomy, and Music. He had also learned Latin well, was competent in Greek and Hebrew, had a smattering of French, and knew Italian well enough to write sonnets in it. The one language he did not study was English. Some of his language acquisition — Italian — came from private tutors hired by his father.

Also at St. Paul's, the young Milton made a friendship that was among the closest of his life with Charles Diodati. After leaving St. Paul's, the two young men would write each other in Latin. Through his friendship with Diodati, Milton came into contact with many of the foreign residents of London.

In 1625, Milton matriculated at Christ's College, Cambridge, intending to become a minister. Instead, Milton's facility with language and his abilities as a poet soon made the ministry a secondary consideration. Also, Milton was not pleased with the medieval scholastic curriculum that still existed at Christ's College. This displeasure caused him to become involved in frequent disputes, including some with his tutor William Chappell. In 1626, perhaps because of this dispute or perhaps because of some other minor infraction, Milton was "rusticated" or suspended for a brief period. Whatever the reason, Milton did not seem to mind the respite from Christ's, nor did the rustication impede his progression through the school in any significant way.

In March of 1629, Milton received his BA and three years later, in July 1632, completed work on his MA. In completing these degrees, Milton had already become an accomplished poet. His first significant effort was the Christmas ode "On the Morning of Christ's Nativity." Evidence also exists that he completed L'Allegro and Il Penseroso ("The Cheerful Man" and "The Pensive Man") while in college. These works had not achieved any notoriety for Milton, but they do demonstrate the genius that was within him.

Early Literary Work

After Milton's graduation, he did not consider the ministry. Instead, he began a six-year stay at his father's recently purchased country estate of Horton with the stated intention of becoming a poet. Milton made his move to Horton, a village of about 300 people, in 1632, saying that God had called him to be a poet. One of his first great works, Comus, a Masque, was written around this time.

In 1637, Milton's mother died, possibly of the plague. That same year, one of his Cambridge friends, Edward King, a young minister, was drowned in a boating accident. Classmates at Cambridge decided to create a memorial volume of poetry for their dead friend. Milton's poem, untitled in the volume but later called Lycidas, was the final poem, possibly because the editors recognized it as the artistic climax of the volume. Whatever the reasoning, the poem, signed simply J. M., has become one of the most recognized elegiac poems in English.

Influences Abroad

Having been through the years at Cambridge and six more at Horton, Milton took the Grand Tour, an extended visit to continental Europe. Such a tour was viewed as the culmination of the education of a cultivated young man. Milton as a true scholar and poet wanted more from this tour than just a good time away from home. He wanted to visit France and especially Italy. In Paris, in May of 1638, he met the famed Dutch legal scholar and theologian Hugo Grotius. Grotius' ideas on natural and positive law worked their way into many of Milton's political writings.

In Italy, Milton met a number of important men who would have influence on his writing. In Florence, he most likely met Galileo, who was under house arrest by the Inquisition for his heliocentric views of the solar system. Milton had a lifelong fascination with science and scientific discovery. Book VIII of Paradise Lost mentions the telescope and deals with planetary motions. Also in Italy, Milton attended an operatic performance in the company of Cardinal Francesco Barberino. The actual opera is not known but may have been one by Museo Clemente, who was popular at the time. Milton's own knowledge of and love for music shows up in much of his poetry, and, in some ways, Paradise Lost is operatic poetry. Finally, in Italy, Milton met Giovanni Batista, Marquis of Manso, who was the biographer of the great Italian epic poet, Torquato Tasso. Tasso's Jerusalem Delivered was obviously an influence on Milton's own epic poetry. To what extent Batista was also an influence is difficult to determine, but Milton did write the poem, Mansus, in his honor.

The English poet and controversialist John Milton (1608-1674) was a champion of liberty and of love-centered marriage. He is chiefly famous for his epic poem "Paradise Lost" and for his defense of uncensored publication.

The lifetime of John Milton spanned an age of sophistication, controversy, dynamism, and revolution. When he was born, England was illuminated by the versatile genius of Francis Bacon, William Shakespeare, William Byrd, Orlando Gibbons, and Inigo Jones. Christopher Wren was at the height of his powers when Milton died in 1674. At that date Henry Purcell was the major composer; Isaac Newton dominated in mathematics and physics; and literature enjoyed the varied talents of John Dryden, Andrew Marvell, John Bunyan, and Samuel Pepys.

In the middle period of Milton's life, England, after two revolutionary wars, became a republic and then a protectorate under Oliver Cromwell. When monarchy and the Anglican Church were restored in 1660, mercantilist capitalism had been firmly established, and the foundations of the British Empire and navy were laid.

Milton wrote poetry and prose between 1632 and 1674, and is most famous for his epic poetry. Special Collections and Archives holds a variety of Milton's major works, including Paradise Lost, Paradise Regained, L'Allegro, and Il Penseroso. Paradise Lost is one of the most recognized works in English literature

The two outstanding qualities of Milton as poet are his incomparable sense of beauty and his matchless “statelines of manner”. His sense of beauty is to be seen, to advantage, in his early poems like Lycidas or the Nativity Ode.

The prose style of this epistle is one that is based around the principles of rhetoric. Milton seeks to argue his point, which in this case concerns the need for freedom of speech and in particular the right to publish pamphlets without official sanction.